Atwater, Edith

Actress, Actors' Equity Member

By Carol Stabile

Edith Atwater was born in Chicago on April 22, 1911. She was the daughter of Henry Atwater and suffragist and writer Adeline Lobdell Atwater Pynchon. Atwater’s mother, Adeline, was active in the struggle for women’s suffrage, serving as the National Women’s Party representative for Illinois during the First World War. 

National Women's Party, Chicago, Library of Congress

Adeline divorced Atwater after World War I and pursued a successful career as a writer. Atwater and Pynchon had two children: Edith and her sister, Barbara Jane Atwater.

Trained at the American Laboratory Theatre, Atwater played in The Black Crook in Hoboken during Prohibition.1 She debuted on Broadway in 1933 in Springtime for Henry. An actor of great skill, theatre critic Brooks Atkinson said of Atwater’s starring role in Irwin Shaw’s Return to Pleasure, “Edith Atwater is playing the central par with magnetic loveliness and the casual skill of a full-fledged leading lady.”2

Atwater and Walter Abel in We Went to College, 1936

  • 1. “Edith Atwater to be Wed,” New York Times, November 15, 1941, 10.
  • 2. Brooks Atkinson, “The Play,” New York Times, December 18, 1940, 32.

While Atwater is best known for her role in the Broadway version of The Man Who Came to Dinner (1939), she also starred in stage hits like The Country Wife (1936), Susan and God (1937), and State of the Union (1945). Less successful in film, Atwater had roles in The Body Snatcher (1945), Sweet Smell of Success (1957), It Happened at the World's Fair (1963), Strait-Jacket (1964), Strange Bedfellows (1965), and True Grit (1969). Atwater also worked in television, appearing in episodes of the series Peyton Place from 1964 to 1965.

Poster, The Body Snatcher (1945)

In 1942, Atwater was elected to Actors' Equity’s governing board. She supported Equity founder Philip Loeb when he came under attack by the union’s anti-communist faction in 1945. In 1948, she chaired an Equity committee organized to end racial discrimination at Washington’s National Theatre.1 In 1949, along with Mady Christians, Margaret Webster, and Philip Loeb—all of whom would be listed along with Atwater in the pages of Red Channels in 1950—Atwater was appointed delegate to the newly formed Television Authority.

Poster, Peyton Place

Atwater married actor Hugh Marlowe in 1941. After divorcing Marlowe, she was married to actor Kent Smith until his death in 1984. Atwater died of cancer in 1986 in Westwood, California.

  • 1. “To Report on Theatre,” New York Times, March 18, 1948, 36.