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Why did images of white, nuclear families dominate television in the 1950s? Why has it taken nearly 70 years for images of a diverse America—featuring people of color, immigrants, women as independent social beings—to appear on prime time television?  Challenging the longstanding belief that what appeared on television screens in the 1950s and after resulted from some social consensus, The Broadcast 41 addresses these and other questions by telling two intersecting stories. The first story documents the heterogeneous perspectives of a generation of progressive women who had been…

Broadcast 41 has been excerpted on Literary Hub. Check it out!

Talking at 6 PM tonight at NYU about the Broadcast 41, new media, and resistance.